Browse Items (206 total)
Sort by:
Monica Lima
Monica Lima in Roundtable 2: What role(s) should scholars play?
Molly Morgan
Molly Morgan in Roundtable 3: Public history at museums and historic sites
Miriam Bondim
Miriam Bondim in Roundtable 3: Public history at museums and historic sites
Memorial Iyá Davina
Located in the terreiro Ilê Omolu Oxum, the Memorial Iyá Davina is a documentation and research center open to the public and dedicated to Afro-Brazilian society and culture. The center stores various materials (including photographs, drawings,…
Mellon-Sawyer team at the MUHCAB
Participants of the Mellon Sawyer seminar inside the MUHCAB (Museu da História e da Cultura Afro-Brasileira)
Mellon Sawyer team with Miriam Bondim in Mangaratiba
Hermann von Hesse, Molly Morgan, Daniel Domingues, James Sidbury, and Miriam Bondim (Researcher, Municipal Museum of Mangaratiba)
Mellon Sawyer team on the stairs of the Hanging Garden of Valongo
Participants of the Mellon Sawyer seminar on the stairs of the Hanging Garden of Valongo
Meeting with Texas Historical Commission at Levi Jordan Plantation
From left to right: William Polley, Shannon Smith, Catherine Jalbert, James Sidbury, Anthony Pinn, Jeffrey Fleisher, Angela Pfeiffer, Chris Eliott, Sam Collins, Molly Morgan, Brett Cruse, Hermann von Hesse
Marilda de Souza
Marilda de Souza, one of the leaders of the quilombo Santa Rita do Bracuí, standing in front of a poster explaining the history of the community.
Maria Cambinda at the National History Museum
This 19th-century sculpture and mask in wood was used in processions of the Brotherhood of Our Lady of the Rosary of Black Men, in Ouro Preto, Minas Gerais. She was adopted as a symbol of the Decolonial Brazil: other histories exhibition at the…
Mãe Meninazinha de Oxum and Nilce Nascimento
The leader of Ilê Omolu Oxum, Mãe Meninazinha de Oxum, and her niece, Nilce Nascimento.
Kenneth Bilby
Kenneth Bilby in Roundtable 2: What role(s) should scholars play?
Jongo at the quilombo Santa Rita do Bracuí
The jongo is a dance that was originally performed by the enslaved workers at coffee plantations in southeast Brazil. Today, the quilombo of Santa Rita do Bracuí is continuing this Afro-Brazilian tradition.